埃(📲)尔维(💙)(wéi )拉是一个12岁的(😺)女(nǚ )孩，她满(📟)(mǎn )怀热情的(de )参加了夏(❣)令营活(huó )动(🍢)，希望(👈)能拥有一(yī(🏂) )次充满(mǎ(😃)n )趣味的出(chū(👹) )游。然而意料(👀)不到(🎲)(dào )的(🎬)是，她的房间(jiān )中(🆗)不断发生无(💶)法解(jiě )释的怪(guài )事。随(🔬)着(zhe )事态的逐渐恶(🐼)化，整场活(huó(🎖) )动逐渐演(🔣)(yǎn )变成一(yī(🈚) )次紧张的冒(✝)险。在(🕍)(zài )和朋友们(men )的联手(shǒ(😷)u )调查中，埃尔(🚿)维拉(lā )终于(🐃)意识(🏉)(shí )到(📭)这些(xiē )怪事也不(🔢)(bú )是完全无(🚗)(wú )法解释——只要(yà(🥪)o )你相信鬼(guǐ(🥜) )怪的(⏬)存在(zài )。
青年(🏄)画家岸春(✉)(chūn )自小在内(🍶)蒙古长大(dà(🔊) )，当地(🎸)(dì )的(💀)风土人(rén )情造就(👂)了他的艺术(🎩)(shù )才华。然而在他(tā )的(💡)内心一直有着一(🏞)(yī )块难以(yǐ(👋) )抚平的伤(🈚)(shāng )痕，过早缺(🍗)失的母(mǔ )爱(😮)让这(🔷)(zhè )位人前光(guāng )鲜的艺(🙄)(yì )术家在情(🎑)感里陷入(rù(♒) )迷失(👣)，常(chá(🥜)ng )以酒精(jīng )为伴麻(🚭)醉自我。当(dā(💷)ng )受一位蒙(méng )古老人(ré(🕔)n )所托，为(wéi )他(✴)英年(🤑)早(zǎo )逝的母(📩)亲画一幅(👘)(fú )肖像，这(zhè(🌎) )个母亲的(de )肖(🌖)像却(♊)怎么(🚾)都画(huà )不出神。对(📒)于母爱(ài )缺(✒)少感(gǎn )触与理解(jiě )，成(😶)了他无法落笔(bǐ(🖥) )的难题(tí )。心(🗾)烦意(yì )乱(🤐)之时，岸春遇(☔)到(dào )了单身(🛫)(shēn )妈(😶)妈如西(xī )，如西和儿子(♍)的温(wēn )情不(🚵)仅(jǐn )让他感(🦂)受(shò(🥓)u )到母(➿)爱(ài )的温暖也让(🏞)他找寻(xún )到(🚚)了爱情(qíng )的味道(dào )。但(💣)是，母亲到底(🏒)(dǐ )为(🍬)什么会(huì )从(🔧)小抛(pāo )弃(👚)自己，在日日(🍟)夜(yè )夜的叩(👹)问中(💹)，也(yě(📋) )在如西的(de )介入下(🔓)，似乎有了意(🐩)想不(bú )到的答案(🐰)，岸春(🌄)也(yě )踏上寻(xún )母(😬)之路。母亲的(🥇)肖像到底(🍹)能(néng )否兑现(😜)(xiàn )给蒙古老(💀)(lǎo )人(🍍)的期盼？岁月里(lǐ )母(🚶)爱的(de )真相会(🚺)怎(zěn )样揭开(🖼)(kāi )？(😥)原来(🎤)，岸(àn )春的母(mǔ )亲(😞)一直以(yǐ )一(♊)个特(tè )殊的身份出现(😹)在他(tā )的生(💫)活里(📹)(lǐ )！面对(duì )时(🦏)间、面对(📑)生命的(de )脆弱(🎓)多变(biàn )，只想(🗼)(xiǎng )向(💄)岁月(🎗)祈(qí )求，时光(guāng )你(🕢)慢些走，让儿(🗝)(ér )子还能记下母(🖥)亲的(🔁)(de )容颜......
某外国城市(😐)(shì )，来自韩国(🦄)的女演(yǎ(🥣)n )员英熙(xī )，正(👘)因为(wéi )和国(🐌)内一(😇)个已婚男(nán )子的恋(lià(🤸)n )情而备受(shò(🎦)u )压力，她放弃(🥣)了一(🙃)(yī )切(⛲)，甘(gān )受千夫所(suǒ(🌗) )指以此(cǐ )表(🍽)明心迹。他说会(huì )去找(🗯)他，但她并(bìng )不相(🏨)信。在熟识的(🚫)(de )朋友家吃(🎾)(chī )过饭，她去(🍁)了海边。她认(💬)(rèn )为(🧝)朋友(🕹)不(bú )会理解(jiě )这(😚)段感情(qíng )，但(📋)还是(shì )问道：“他(⚽)会像(🖲)(xiàng )我思念他一样(🦏)思念(niàn )我吗(🔣)”
《赏金恋(liàn )人》是一部青(🎍)春、爱情、(🙋)时尚(🤸)喜剧(jù )，讲述了富二代(🤟)千(qiān )金女与(🏅)(yǔ )拜金渣男(💁)(nán )、(✏)潦倒(🛫)清高的画家(jiā )三(🚃)人间(jiān )的爆(👧)笑爱(ài )情故事(shì )。由方(🖲)语昕(xīn )饰演的(de )的(🎀)富二代(dài )苏(💊)珊，因为父(🙃)亲反对恋情(📢)(qíng )而负气离(👡)(lí )家(🌠)出走(zǒu )，老爸苏锦宏为(💳)寻(xún )找爱女(😬)不惜重心(xīn )赏金(🏝)百万(⚪)(wàn )，巨大的(de )诱惑下(🌦)，暴露出(chū )人(📃)性的贪婪和欲望(wàng )，一(🏴)场全城奔爱(👪)(ài )大(🥌)逃亡的爱情喜剧(jù )就(👕)此展(zhǎn )开。在(🛃)一(yī )系列的(🆙)全城(⛪)追击(🐛)、赏金闹(nào )剧中(🎱)，方(fāng )语昕饰(📩)演的千金苏(sū )珊终于(💙)(yú )找到了人(rén )生(💭)的归(guī )属，和(🦉)黄腾浩饰(🕌)演(yǎn )的画家(🍒)刘(liú )子铭上(㊗)(shàng )演(⚡)了出公主爱上青(qīng )蛙(🍇)王子的(de )完美(🐟)爱(ài )情。
Since early childhood, Björn has secretly carried an insurmountable fear. When his father dies of old age, he and his four sisters are each left with a video message, that makes him question everything. Director Johan Löfstedt’s extended family play themselves in a heartfelt and unconventional film about life, death and the courage to change
A group of teenagers go for a partying weekend in the woods. Unknown to them the woods they have chosen is home to a legend. The legend of a young girl who was bullied and then committed suicide. Are the woods haunted by a peaceful spirit or a spirit hell bent on destruction? Or is everything not quite what it seems? Watch as our teenagers fight with all their might to survive until morning.
When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
A newly reunited young couple's drive through the Pacific Northwest turns into a nightmare as they are forced to face nature, unsavory locals, and a monstrous creature, known to the Native Americans as Oh-Mah.
