在(😞)《琐(🎬)事(s
在(😞)《琐(🎬)事(shì )烦心(xīn )》（(🌼)Wolfsbergen，2007年(🌤)论(lùn )坛单元），《布朗运动(dò(⛷)ng )》（Brownian Movement，2011年论(lùn )坛单元(Ⓜ)）(🐸)和(hé )《一切很安(♎)(ā(📝)n )静》（Boven is Het Stil，2013年全景单元）之后(hò(🚏)u )，荷兰导演(yǎn )娜诺(🛌)克(😄)•利(lì )奥波德将(🔧)会(huì )带着新片来(lái )到2018年(niá(🤰)n )的(🔽)柏林(lín )电影(yǐ(➕)ng )节(💴)在 Generation 14plus中角逐(zhú )。以她(😥)特有(yǒu )的(🐊)沉静的激(jī )进主(🏛)义(🍷)风格(gé )，她的新(✳)片(😺)(piàn )跟随着15岁Cobain的脚(🏳)步，在城市(🚾)里(lǐ )徘徊，寻找(zhǎ(🤲)o )他(🍊)自毁的母(mǔ )亲(🏒)。在(📀)途中(zhōng )，他(tā )遇到了(le )她的(de )老(🐊)朋友们，社工们，以(🔙)(yǐ(🤨) )及一家美沙(shā(🕥) )酮(🗑)诊所。在(zài )他的电影处(chù )女(💴)作中，Bas Keizer温柔又有力(❄)地(🙁)表现(xiàn )出了一个(🌩)必(bì )须要快速长(zhǎng )大的男(📺)孩(🌄)的(de )样子。
1878年（明(🙎)治(🏂)(zhì )11年）。在明(míng )治(🏵)维新之后(🌭)(hòu )，为了处理(lǐ )日(🚸)本(🔞)国内的(de )士族叛(👵)乱(🚁)这(zhè )类犯罪者，将(👋)他们大部(😫)分都送到了监狱(🥥)(yù(😸) )里，但是逃(táo )狱(💁)事(🥝)件时有(yǒu )发生。于是(shì )政府(🐲)(fǔ )就在滋(zī )贺县(🗞)(xià(🐵)n )的琵琶湖里(lǐ(👶) )浮(🔰)着的巨树(shù )中建造了绝(jué(🖐) )对不可能逃(táo )狱(❔)的(🙎)监狱「狱门处」(📳)，将重犯全都送了(le )进去。而负(🐖)(fù(💾) )责最后阶段(duà(😕)n )护(🏾)送的「渡(dù )桥者(🏆)」一职(zhí(📯) )则是(shì )由湖边(biā(🐝)n )「(⏭)昙(tán )神社」的(🕊)「(🌩)昙之三兄弟(dì )」担任。福(fú(📎) )士饰演昙家(jiā )的(🥕)长(🥚)男——昙天火(🛩)。
影(🍭)片以尼哈为开场(chǎng )，尼哈突(🍢)然(rán )遭遇恐怖袭(🙉)(xí(🕺) )击并失去知(zhī(🏩) )觉(📤)。当她恢(huī )复知(zhī )觉时，她开(🛂)(kāi )始寻找她失(shī(🛃) )踪(👷)的女儿，但她找不(🐈)到(dào )。在万般无(wú )助之下，她(〰)打(🗓)电话给罗尼，希(😁)望(♏)罗尼能(néng )够回来(🌙)帮助(zhù )她(🚳)寻找失踪(zōng )的女(💂)儿(🐭)...
워커홀릭 남편(🐓)을(🎻) 둔 가정주부 아키호는매일(🍱) 밤 욕구 불만에 괴(🐊)로(💜)워하지만 임신(😗)한(㊙) 딸 부부와 함께 살기에 내색(⛔)도 못한다.얼마 후(🐎) 딸(🌼)은 입덧 때문에(🌶) 입(🏻)원을 하고 남편도 외국으로(🛢) 출장을 떠난다. 아(🎪)키(☔)호는 사위 타츠와(🤬) 단 둘이 남(🏍)게 되자그 동안 쌓(👭)인(👳) 욕정을 참지 못(🎢)하(🎗)고 사위에게 뜨거(🚾)운 바디 어(📋)택을 시도한다.
Based on true events. Aesha goes to an isolated b&b in Kent after her mom books her in so she can get some head space for her studies. In the night Aesha is visited by a nun at the door who will progressively begin to show her true colours as the night unfolds - As the nun continues to bother Aesha at the door, Aesha begins to question her surroundings in this isolated suspense horror.
Ann is consumed by the fantasy of finding true love. Just when she thinks she's found it, she is friend-zoned. The disappointment of rejection sends her into an obsessive downward spiral that tests the limits of her sanity and the strength of her closest friendship. In order to reclaim her bearings on reality, she confronts her overgrown fantasies by making a film about the experience. The result is a vulnerable, hilarious, and vibrantly stylized investigation of love.@
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