一场大规(🏕)模枪(☔)击案后(hòu )，七(🔱)位民(🐜)(mín )兵(🔌)藏匿于一个木材仓库(⚽)中，与(yǔ )此(cǐ )同时(shí(👸) )，一行(🌬)人有了一个不安(🛶)的发(🐊)现：(🙄)他(tā )们(men )的(de )军(jun1 )械库(🚐)丢失了一支AR-15步枪，而(🌏)这把(➗)武(wǔ )器(qì )的(de )型(xí(📭)ng )号正(⛸)与传(👝)闻中枪击案(🏽)肇事(🈵)者所(💓)用(yòng )完(wán )全一(yī )致(zhì )。担心当局已将(🚃)他们(🔑)与枪(🌭)击案(àn )联(liá(🔸)n )系在(💣)(zài )一(🃏)(yī )起，为了自身的安全(🐿)，民兵们(men )决定找(zhǎo )出(🚙)(chū )队(🤼)伍中(zhōng )的叛(🔆)变者(🏈)交给(🕍)警方。
米歇尔·布(bù )朗(🐹)([累得(dé )要命])自编自(🐼)导的(👬)新片[看我们如(rú(🐰) )何(hé(💰) )跳舞(🚰)(wǔ )](Voyez comme on danse，暂译)在巴黎开(👦)拍。该片卡司包括(kuò(🙎) )夏(xià(👝) )洛(luò )特(tè )·兰普(🔼)林、(🏊)嘉莲(🛒)·维雅([贝利(🤶)叶一(📥)(yī )家(😯)(jiā )])、卡(kǎ )洛儿·布盖([不要来打扰我(🛌)])、让(😖)-保(bǎ(🕗)o )罗(luó )·卢(lú(🔣) )弗(fú(🐏) )([领奖(📨)台])等。影片情节目前处(♓)于(yú )保(bǎo )密阶(jiē )段(🖨)(duàn )，巴(♋)黎为其主要(🔋)拍摄(🏵)地，预(🥅)计10月28日杀(shā )青(qīng )。
故事(🏽)(shì )讲述桃花村里的(👠)杀马(🔀)特男青年(nián )刘(liú(📻) )辈意(💀)外(wà(🏇)i )发现自己的侄子(💷)单身汉刘协暴毙(bì(❗) )于家(🐲)(jiā )中(zhōng ),并对于他(🥣)的死(😊)产生(🤸)了很大怀疑(💗)。此(cǐ(🌄) )时(shí(😃) )村(cūn )子里面也来了一位不速之客,他(🦄)就(jiù(🆙) )是(shì(⛽) )地产(chǎn )开发(➕)商曹(✋)猛德(🤷)，他向各位乡亲提(tí )出(👎)(chū )高价(jià )收(shōu )购土(🗡)地的(🏥)提议。村长董(🎂)灼则(🍥)煽(shā(🚮)n )风(fēng )点火(huǒ )，鼓动大家(🐳)将土地卖给曹猛德(🔵),并且(⏲)能够(gòu )从(cóng )此变(🤔)为(wé(🔋)i )城里(🍎)人。刘辈一向反感(👫)董灼,对(duì )于(yú )董、曹(cá(🖊)o )的提议心存怀疑(⛱)，而他(🍙)对于(📎)侄子(zǐ )的死(⤵)(sǐ )更(🕓)(gèng )是(🎱)耿耿于怀。于是刘辈带着好兄(xiōng )弟(dì )、同(🚱)(tóng )为(⚫)杀马特青年(🤫)的关(😎)语、(🕣)张非,开始(shǐ )了(le )对于(yú(🆓) )曹猛德和董灼的调(🏮)查,并(🌄)最终发现(xiàn )了(le )曹(💛)、董(🖖)(dǒng )二人克扣拆迁款并(🥚)且谋杀刘协(xié )的(de )犯(🙋)罪(zuì(🏪) )行(háng )为,也为全村(⛱)的百(👄)姓维(🚈)护了自己的权益(🐙)(yì )。
藝術家(jiā )自古皆寂寞(🧑)或許是境界，人到(📵)(dào )中(🌸)(zhōng )年(🚜)萬事(shì )憂則(☕)是現(🔑)實。在(⚽)畫室洋洋灑灑呈(chéng )現自(zì )由(yóu )雄風的裸(💭)男畫(❕)作令他一舉(❓)成名(💗)，在(zà(🐲)i )家(jiā )面(miàn )對前妻懷着(😋)新歡骨肉、與女兒(🏺)相(xià(🕜)ng )處(chù )尷尬(gà )卻令(🧛)他一(🌜)籌莫展。貝蒙特的寂寞(💪)(mò )，在於(yú )如(rú )何在(🛒)著名(♋)畫家與單親爸爸(🍱)雙重(⭕)(chóng )身(🤦)(shēn )份、藝(yì )術創(😯)作與家庭生活之間取得(👹)平衡。維(wéi )羅(luó )（(😝)《電(dià(🥑)n )影就(🦓)在街角》，35 屆）(📁)找來(🍚)合作(🍘)(zuò )多(duō )年的編(biān )劇兼美指好友對號入座(🕔)，還原(🏿)藝(yì )術家(jiā(🏋) )有(yǒ(🐺)u )血有(🔥)肉的矛盾本性，在出世(🐖)與入(rù )世(shì )的(de )兩(liǎ(💂)ng )難外(😶)，毋忘點點超現實(🎊)的幽(👹)默。
牧(mù )江村(cūn )郊野山(🧝)藏有一怪，赤面獠牙(☝)，名(mí(👯)ng )曰(yuē )垃圾(jī )人(ré(🚽)n )，他身(😊)世神(🔫)秘，以垃圾为食，日(🎷)(rì )遇村(cūn )妇(fù )马秀娟，将(🚛)其掳掠。马秀娟通(😶)过与(👱)垃(lā(⭕) )圾(jī )人的交(🎆)(jiāo )往(🎲)，发现(🏽)他虽丑陋骇人，却心(xīn )地(dì )单纯(chún )。但天不(🥤)遂人(🎚)愿，“单纯”的垃(🎅)圾(jī(🕰) )人却(💄)(què )将(jiāng )马秀娟视为配(💤)偶，囚于废弃厂房(fá(🎤)ng )。矿(kuà(🥛)ng )山(shān )老板徐东南(🏂)徐西(⛩)北两兄弟欲借炸(zhà )山(⛵)(shān )除垃(lā )圾人之名(🗡)在野(🛬)山非法拓矿，全然(🔓)(rán )不(📗)(bú )顾(🙇)马(mǎ )秀(xiù )娟安危(🍮)。而垃圾人通过马秀娟(juān )逐渐了(le )解(jiě )人类(🔉)的尊(🥘)重与(🔷)爱，遂将其放(🕯)归牧(👹)江村(🚙)(cūn )。马秀娟(juān )得知徐东南阴谋后为救垃圾(✋)人(ré(🔥)n )与(yǔ )之抗(kà(🏛)ng )争(zhē(🕍)ng )，最终(🏹)被绑于山上，垃圾人为(💞)救(jiù )马秀(xiù )娟(juān )与(🕝)徐东(🎖)南死命相搏，后被(🛌)徐东(🧝)南(nán )炸(zhà )死(sǐ )。环保组(👢)织声明垃圾人出现(🐺)乃牧(🕴)江(jiāng )村(cūn )的环(huá(🅾)n )保意(💄)识薄(🎯)弱之恶果，垃圾人(🍴)本无(wú )罪(zuì )，罪(zuì )在(zài )人心对环境的态度(💍)，并呼(✒)吁民(🐅)(mín )众善待(dà(⬅)i )环(huá(👶)n )境。
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
The Focusing Effect is a faux-documentary/horror film about three film students who make a doc about breakups, only to push one of their subjects too far.
On the stage, where the premiere of the musical was supposed to take place, the drama broke out ... People went to the feast - cheerful, bright, but turned out to be face to face with death. They, who became hostages, who managed to pass a terrible ordeal, while preserving human dignity and courage - are ordinary people who have become heroes ...
“假(💕)如音乐是爱情的食粮，请继(jì )续(xù )演奏吧(⏩)(ba )！”以配(🚯)乐著称并为(📫)莎士(🎛)比亚(🍆)(yà )爱(ài )情喜(xǐ )剧(jù )《爱(🏕)的徒劳》及《爱的胜利(💟)》（即(🌚)《无(wú )事生非》）注(👋)入无(🐑)限活力的超人(rén )气(qì(🍍) )导(dǎo )演(yǎn )克里斯托(🏂)弗•(🚒)拉斯康贝（Christopher Luscombe）携(🧜)创(chuà(📨)ng )作(zuò(🤽) )团队(duì )重返埃文(🌈)河畔斯特拉福德的皇家(jiā )莎(shā )士比(bǐ )亚(💶)(yà )剧(🔸)团，执(🍴)导莎翁另一(🎼)部滑(🍲)稽又(⛳)(yòu )心酸的(de )单(dān )相思爱情故事：
UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.
