TudorFilms presents an action packed gore fest, following regular guy Ed (Marcus Carroll) who awakes one morning to find that his Nan (grandmother) has become one of the living dead. Trapped in his home, Ed struggles to handle the situation. With help from his friends, Ed tries to survive the day, but as his Nan becomes stronger, Ed is battling to keep his house zombie free, stay alive and save the day.
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
Since early childhood, Bjö(👓)rn has secretly carried an insurmountable fear. When his father dies of old age, he and his four sisters are each left with a video message, that makes him question everything. Director Johan Löfstedt’s extended family play themselves in a heartfelt and unconventional film about life, death and the courage to change
故事讲述(🀄)年轻记者(zhě )杰伊·巴哈杜(dù )尔(彼得(👯)斯饰)偶然(rá(🚡)n )遇(🦏)到曾(céng )经叱(🛐)咤(🕰)(zhà )风云的战(➡)地(🎋)记者(zhě )(帕西诺(🦇)(nuò )饰)。在(zài )一番沟通后，他(tā )选择前(qiá(🧟)n )往索马(mǎ )里(⏹)采(👳)访。
An elderly woman, a war veteran, recalls her experiences as a member of the all-female bombing squad nicknamed 'Nachtexen' (Night Witches) during World War II
A love triangle gets even more complicated once a time machine enters the picture.
某外国(guó(🎇) )城(🐳)市，来自韩(há(🥠)n )国(✳)的女演员英熙(🔣)(xī )，正因(yīn )为和国(guó )内一个已婚男子(🈷)(zǐ )的恋情(qí(👇)ng )而(📹)备受(shòu )压力(📶)，她(📽)放弃了(le )一切(🙁)，甘(🚨)受千(qiān )夫所指(💼)以此表明(míng )心迹。他说会(huì )去找他，但(🚿)她并不相信。在(💖)熟(shú )识的朋(➰)友(⏬)家吃(chī )过饭(📳)，她(🏛)去了海(hǎi )边(🐬)。她(🦎)(tā )认为朋(péng )友(❎)不会理解这段(duàn )感情，但还是(shì )问道(🉑)：“他会像(xià(🤹)ng )我(🙃)思念(niàn )他一(😛)样(🔷)(yàng )思念我吗(🚄)”
两(🅰)个(gè )来自北(bě(🧘)i )京和上(shàng )海的女孩，带着(zhe )自己的(de )过去(🍓)相(xiàng )遇在318号(😪)公(📧)路，一(yī )起骑(🚡)行(🙍)(háng )、各自(zì(♎) )找(🏫)寻、重新迷失(🚙)(shī )、又再(zài )次自我(wǒ )救赎。经历不一(🤞)(yī )样的人和事(📵)后(hòu )如何面(🤗)对(🌅)生活、理解(🌸)生(🏓)命的故(gù )事。
When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.
On the highways of Mississippi, a psychotic priest and his brother are on a crusade to absolve sinners with their own brand of murder.
