风(fēng )度(🏷)翩(piān )翩(🏜)的(de )医生(🐈)动了色心,欲迷晕少女但(dàn )错手(shǒu )杀人(rén ),险被送上(🍲)断头台(🖥),以为逃(🚥)出(chū )鬼(🎇)(guǐ )门(mé(🗑)n )关,岂知(🌕)魔(🐭)鬼已(🐨)盯上他(🎵)。战争前夕(xī ),他(tā )被发(fā )配边(biān )疆,继而被奥匈帝国(😪)将领(📏)重(🏏)用(yòng ),沉(⏳)(chén )迷研(🤔)(yán )究麻(🛰)药乙醚(🍷)。药(♉)物能(⛰)麻醉止痛(tòng ),亦(yì )能制(zhì )造不知痛楚不懂畏惧的科(🎇)学怪(guà(🏃)i )人。而他(🔺)(tā )心底(🤧)(dǐ )的欲(🏽)望,是想(🛹)找到完(📂)全驾驭(⛩)他(tā )人灵(líng )魂的(de )方法。赞禄西继《色》(39 届)后再(zài )度(🎮)审(shěn )视(🌦)传统道(🍼)德防线(😴),两段式(🦁)结构(gò(🦂)u )揭(🕯)(jiē )示(💃)(shì )妙手(shǒu )狂医跟魔鬼握手的浮士德心路(lù ),亦(yì )检视(shì )法(🆕)西(xī(🧐) )斯(🤫)之兴起(⛰),绝对的(🖖)权力将(🛥)令人(ré(🎇)n )绝对(duì(🔩) )腐化(huà )。
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Identical twin brothers become hybrid A.I (artificial intelligence) entities, yet torn in different directions to achieve justice for humanity.
UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.
该(🏘)(gāi )片改(👆)编自脱(🛍)北女性(🐑)的真实(🦏)故事(shì(🎯) ),讲(🤴)(jiǎng )述(🐳)的(de )是抛开家人,逃往韩国的母亲(qīn )与憎(zēng )恨自(zì )己的儿子(➕)在16年后(🧓)重逢的(😠)故事。
VS. is an urban rites of passage drama set in the hostile and exciting UK rap battle scene.
Jean Barreau leads a spiritual commune on the countryside and promises his followers a chance for a second life. When their doubles arrive at the house, the followers learn that Jean meant his promise of a second life quite literally.
Filmed on the beautiful islands of Greece, "With a Kiss I Die" is a dark love story about Juliet Capulet (from Shakespearean fame) who is forced to live for all eternity knowing that her true love died in her arms nearly 800 years ago. Broken and numb, she meets a young woman who captures her heart again, and teaches her that love and loss are all a part of life, and that a life without love is no life at all.
It's summertime in a hot and empty Buenos Aires. Marcela's world is shaken when her sister dies, leaving her completely out of sorts. Still grieving, she must deal with clearing out her flat. One of her daughter’(🆑)s young friends, Nacho, appears on the scene, eager to help, a presence which leads to shared road trips and adventures. During these confusing days, people and conversations from another time will mingle, prompting questions, while the imminence of everyday life closes in on her.
During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.