Cut off from h
Cut off from home and facing an impossible mission against mounting odds, "Deep Six" is a hyper-realistic live-action portrayal of a deep space forward operating base at a pivotal moment for humankind 250 years in our future.
风度翩翩(💾)的(de )医生动(dòng )了色心(xīn )，欲(💋)迷晕(🤤)少女但(🦌)错(cuò )手杀人(rén )，险(🕯)被送上(📸)断头(📞)(tóu )台，以(yǐ )为逃出(chū )鬼门(🎒)关，岂(🥂)知魔鬼(⏸)(guǐ )已盯上(shàng )他。战(📥)争前夕(🍜)，他被(🔻)发(fā )配边疆(jiāng )，继而被奥(😞)匈帝国(guó )将(🐽)领重(chóng )用，沉(🤢)迷研(🕞)究麻药(⬜)乙醚(💚)(mí )。药物(wù )能麻醉(zuì )止痛(🔄)，亦能(néng )制造(🖖)不(bú )知痛楚(chǔ )不懂畏惧(🔃)的科(💤)学(xué )怪(🎖)人。而他心(xīn )底的(🤮)欲望，是想找(🧕)(zhǎo )到完全(quán )驾驭他人灵(🧚)魂的(🆗)(de )方法。赞(🤘)禄西(xī )继《色》（39 届(✒)）后(hò(😥)u )再度(🍿)审(shěn )视传统道德防线(xià(🐽)n )，两段(🚀)(duàn )式结(🌗)构(gòu )揭示妙手狂(🍰)医跟魔(📣)(mó )鬼(💄)握手(shǒu )的浮士德心路，亦(🏍)检视(shì )法西(🔬)斯(sī )之兴起(🖌)，绝对(🅿)的权(quá(📨)n )力将(🕗)令(lìng )人绝对腐化。
一对情(♍)侣(lǚ )外出度(🔚)(dù )假，入住豪宅，然(rán )而，当(⛩)(dāng )他(✏)们半(bà(⌛)n )夜醒来，却发现(xià(🌬)n )自己躺(tǎng )在(🤠)一个(gè )处处充斥着(zhe )恐怖(🍶)氛(fē(🖥)n )围的荒(⛄)(huāng )弃诡宅中……(📣)他(tā )们(⤵)意欲(🥙)(yù )逃离，然而却始终逃不(🆒)出(chū(💆) )去，努(nǔ(🤞) )力奔逃，但逃往(wǎ(😰)ng )的地点(🥨)(diǎn )却(🈚)还是(shì )这所诡异的荒宅(🌃)……更恐(kǒ(👶)ng )怖的是，当他(🎭)们再(🐈)度回(huí(😊) )到这(💬)座(zuò )诡宅，却发现，时(shí )间(👣)跟他(tā )们走(📮)出去的时间，一样(yàng )……(💿)
Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.
藝(yì(💟) )術家自(🛤)古皆寂寞或(huò )許(🚷)是境(jìng )界，人(🏰)(rén )到中年萬事憂則(zé )是(✊)現實(🎠)(shí )。在畫(🚂)(huà )室洋洋灑灑(sǎ(🤩) )呈現自(😞)(zì )由(📗)雄風(fēng )的裸男畫作令他(🔰)(tā )一(🍟)舉成(ché(👐)ng )名，在(zài )家面對前(🧀)妻懷着(👾)新(xī(💀)n )歡骨肉(ròu )、與女兒相處(😦)尷(gān )尬卻令(👪)(lìng )他一籌(chó(🐵)u )莫展(✅)。貝蒙特(🕧)的寂(🔛)(jì )寞，在(zài )於如何在著名(🚅)畫家與單(dā(💭)n )親爸爸(bà )雙重身份、藝(😩)術創(🥏)(chuàng )作與(📒)家(jiā )庭生活之間(🤢)取得平衡。維(🍧)羅（《電影就在街角》，35 屆）(🕚)找來(🎲)合作多(🦍)年的編劇兼(jiān )美(🌤)指好(hǎ(🐑)o )友對(🍐)號(hào )入座，還原(yuán )藝術家(✅)(jiā )有(😕)血有(yǒ(😊)u )肉的矛盾本性，在(🛺)出世(shì(🏌) )與入(🚒)世(shì )的兩難外，毋忘點(diǎ(♏)n )點超現(xiàn )實(🐼)的幽默。
不管(guǎn )这(📽)导演(yǎ(🐼)n )嗑了(🏊)什(shí )么很纯的，全部都(dō(🔠)u )要给你(nǐ )来(🐨)一点！在澳洲这座曾(céng )经(🤷)被称(😅)(chēng )作「(🌖)无主之地」（Terra Nullius）(🚟)的大(dà )陆，历(🚯)史以前所未见的(de )观点重(🌙)(chóng )新(🐵)诠释：(✒)当《疯狂(kuáng )麦斯》末(🤨)日场景(🛄)成为(🗣)难民拘留(liú )地，食(shí )人羊(🎨)成(ché(🏕)ng )为反殖(📴)民叛(pàn )乱份子(zǐ(♋) )，《沙(shā )漠(⬜)妖姬(🌈)》与电视(shì )剧《请(qǐng )喜欢我(🐴)(wǒ )》有了跨时(💡)空的酷(kù )儿对话(🔫)(huà )……(🕔)本片(💦)以近似(sì )DJ取样混(hún )音之(👎)拼(pīn )贴手法(🧐)，打开了虚(xū )构与史(shǐ )实(🙎)间的(🏠)神秘黑(🚁)洞，大量(liàng )援引电(🐶)(diàn )影名场景(🗑)与历史典(diǎn )故，穿(chuān )越时(🚈)空与(🎩)各种语(💚)境，重(chóng )写、改(gǎ(🛀)i )写、乱(👝)写，全(🎸)面毁(huǐ )坏观众(zhòng )的三观(🗑)！这是(🙈)一部政(👉)治(zhì )复仇预(yù )言(🤴)，杂(zá )揉(🕣)讽刺(👴)喜剧(jù )、生态(tài )恐怖与(🏷)(yǔ )公路电影(♒)类型，写下澳(ào )洲(📶)国族(zú(✈) )神话(⛩)从未被纪录的(de )史诗篇(piā(🤒)n )章。
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