残(💍)忍的杀(🔬)戮&#
残(💍)忍的杀(🔬)戮在露营地展开，这(🤠)一(📟)切源自(📬)于一个被诅咒的面具。这副面(👧)具辗转(🙄)穿梭于每个角色，将(🧤)唤(😣)醒他们(🚡)最深沉(😙)(chén )的欲望。本片内容涵(🔰)盖恐怖(🤮)、性喜剧甚至是音(🗡)乐(🥁)剧，将令(🛸)观众深(✳)陷其中。
Six people bound together by a traumatic experience decide to round off a year of group therapy in style. They join each other once more, traveling up to the Scottish Lowlands for a reunion weekend in a 1970s holiday let. Soon a number of mysterious and horrifying events start to expose the cracks in their relationships, and one by one they discover that trust runs but skin-deep. A night of closure turns out to be far more final than they could have anticipated.
两个来自北京(🆑)和上海(🔱)的女孩，带着自己的(🎋)过去相遇(➗)在318号公(🍆)路，一起骑行、各自找(😈)寻、重(✝)新迷失、又再次自我救赎。经(🦀)历不一(🛡)(yī )样的人和事后如(🤢)何(🧤)面对生(🚪)活、理解生命的故事。
Separated from his family and caught in a cycle of gambling and debt, Jim has less than a day to repay a violent loan shark. His day is turned upside down when he must look after his young. Jim's relationship with his son is tested as his plans to pay back the loan fail. When his last desperate effort to repay the debt puts his son's life at risk, he must make a choice between his past and a second chance at life.
Stephen Sondheim’s legendary musical is staged for the first time at the National Theatre and broadcast live to cinemas.
A group of kids travel to an abandoned island for a party only to discover that they are being stalked and hunted down by a dangerous predator.
A shell shocked war veteran returns from Iraq to Detroit and finds the American Dream in ruins. Jim vanBebber is coming home - to war.
When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.
中年(🎱)建築師(✍)遇上人生瓶頸，在家(♿)被(👍)(bèi )老婆(🐉)嫌棄，公(🐬)司小開兔死狗烹。失業(🔼)的他在(👈)曼谷街頭驀然回首(🈲)，瞥(😤)見大象(🐪)Pop Aye，憶起歡(🛏)快的童年時光，毅然買(🧒)下大象(🚲)，卻發現都市生活容(🌫)不下他倆(🔀)，打算和(🙂)老象一路向北返鄉。這(🗣)趟人與(🕸)象的公路之旅，途中狀況不斷(🦍)，所幸萬(🕡)能的象鼻領著他倆(🕤)，與(🚤)沿路風(🐅)景相伴(🍠)。《爸媽不在家》導演陳(ché(🛠)n )哲藝監(🏼)製，阿比查邦御用剪(💖)接(💽)操刀，看(🍧)擅長冷(🚟)幽默的才女導演陳敬(🍟)音，用象(🎷)鼻對抗中年危機！將(🏕)泰(😣)國鄉下(🤱)的荒涼(🧛)風景，轉變成一首洋溢(🕌)著淡淡(🐐)霓虹光芒的自我蛻(👗)變之歌。
When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.
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