In the fall of 196&In the fall of 1960, Father Thomas Riley and Father John Thornton were sent by the Vatican to investigate a miraculous event in an Irish home for 'fallen women', only to uncover something much more horrific.
克(🍹)里斯汀·(🧚)斯科特(💕)·托马斯(🌔)新(xīn )片[指(🤜)尖(jiān )](Au Bout Des Doigts,暂(🈺)译(yì ))将于10月7日在巴(🍱)黎开拍,参演过[我(wǒ )的国王(🤼)(wáng )]的卢德(😜)(dé )维克·伯特希(🧖)尔克确认(🧖)执导。影(yǐ(🎪)ng )片剧本(bě(🈲)n )由导演(🛑)(yǎn )和[亚马(🦇)逊萌猴奇(🚎)遇记]编(♑)剧约翰娜(📛)(nà )·伯纳(🤹)(nà )德共同(tóng )撰写,剧情梗概(🐣)尚未透露(😈),其他(tā )卡司包(bā(🏷)o )括朱尔(ě(🔼)r )·本谢特里([新房(💐)客])、朗贝(🌑)尔·维(wé(🚧)i )尔森([奥(à(🚊)o )赛德])等(🏡)(děng )。
Following an end-of-term school ceremony, the American boy Bobby decides to go with his friend Akkun into the mountains outside their village, to a place perfect for a secret base. On the way they stop into a mysterious amusement park. They have fun there, but are attacked and cannot leave. Falling in with some other children who are also lost there, they fend off a number of attacks, and gradually learn the truth behind the facility. It was put there by a man named Koike as a trap for passing children. His son Takashi needs to feed on human children in order to survive. Akkun is killed, and Bobby is captured with Tokiko, a girl they have met there. She disappears, and Koike goes to work on Bobby, trying to fatten him up. Bobby manages to escape. With the help of Saruyoshi, a mysterious old hermit, and the animals of the forest, Bobby builds up his strength and returns to the facility in an attempt to save Tokiko.——IMDb
1999年(📌),一部电影(🍠)永远改(🚆)变了恐怖片(piàn )的历(🕕)程(chéng )。布莱(lái )尔女巫项目是(🐮)一个很好(🈚)的骗局 - 或(huò )者是(💎)?一部纪(🚐)(jì )录片小(🆎)组前往马(🥍)里兰州(🕵)Burkittsville找出布莱(📒)(lái )尔女巫(🤲)(wū )项目(🌍)背(bèi )后的(🚟)真相。
A Viking Princess is forced to flee her kingdom after being framed for the murder of her father, the King. Under the guidance of the God Odin, she travels the world gaining wisdom and building the army she needs to win back her throne.
获美(⚓)国戴维斯电影节(jiē )最佳网(🙇)(wǎng )络电影(📑)(yǐng )奖
跳出《比海還(🎺)深》(2016)的(🚐)助導(dǎo )身位,廣瀨(📀)奈(nài )奈子(🥥)繼承恩師(🐱)是枝裕和(🚰)一貫家(🔜)庭(tíng )缺失(📗)主(zhǔ )題,以(🚟)(yǐ )圓熟(🥥)的敘事技巧,剖開父(🐆)子關係的思考(kǎo )空間。憑《誰(🗺)(shuí )知赤子(🚩)心》(2004)成為史上(🤵)最年輕(qī(🎰)ng )康城影(yǐ(👕)ng )帝的柳(liǔ(🤚) )樂優彌(🎽),經歷過高(➗)山低谷,在(🍘)死(sǐ )亡(🧥)邊緣(yuán )走(🎻)了一(yī )回(💞),與這個落泊孤絕角色感同(🌸)身(shēn )受。自(🦓)(zì )殺不遂(suí )被中(🖇)年鰥夫收(📫)留,獲編的名字竟(🤛)(jìng )與他的(✂)(de )亡兒相(xià(💿)ng )同。亦父亦(🏣)子的微(🔩)妙關係,卻(💨)被(bèi )兩人(🦊)過(guò )去(🚠)的秘(mì )密動搖。兩個(💽)「缺」的人生,能否合成(ché(🈚)ng )一個「圓(🛃)」?
暴力の街に(🎗)朝は来な(⚪)い―。激動(🚡)(dòng )の大阪(🚁)(bǎn )裏社(🕊)会(huì )を牛(🤹)耳る喧嘩(🖨)屋集団(😸)・バトル(🛎)ファミリ(🔍)ー。金(jīn )・権力・暴力―。孤(🌤)独な狼た(😂)ちは今宵(xiāo )も血(✍)に飢え、(⛴)力を求める―
街(🕣)头女骗子(🐘)(zǐ )Julia被绑架(🔳)(jià ),将被(bè(😜)i )用于做(🎴)一个致命(📗)实验,她的(🔄)唯一(yī(🌃) )希望寄(jì )予幕后(hò(📥)u )黑手Alex创造的一项人工智能(⛑)TAU,装备有大(🤯)量(liàng )的无人(rén )机(🌏)和机(jī )器(😂)人,能自动(🏛)操纵Alex打造(🛑)的智能(🈯)房(fáng )屋和(🈵)实(shí )验室(➰),墙壁内(♒)村有屏幕(🏄),能从草原(👈)变为(wéi )深度空(kōng )间。TAU的(de )能力(🐌)受限于它(💥)所理解当下所处(🌸)的(de )环境,但(🏛)它的(de )潜力远不止(🚳)于此。足智(🍮)多谋又勇(🔠)(yǒng )气十足(📖)(zú )的Julia将(🈺)与(yǔ )时间(🗓)作斗争,在(🤐)人与机(🚁)器之间建(jiàn )立信任(🍀)(rèn )的桥梁(liáng ),争取重新获得(👤)自由,而不(😤)会落入和之(zhī )前(🖌)6位同(tóng )样(📭)被用(yòng )于(🕑)实验之人(🙃)的同一(📠)个下场。
父(👫)亲(qīn )溺爱(🏵)儿(ér )子(♈)赛米(mǐ ),望(🐟)子成龙。儿(🍄)子面对(🔛)升学压力(lì ),父亲(qī(🕢)n )十分忧(yō(💹)u )心却也只能想尽(👝)办法帮助(🤾),直到(dào )有天儿(é(👪)r )子无声(shē(🆔)ng )告别,留下(🥪)了要“只身(🐄)前往叙(💟)利(lì )亚”参(🆑)(cān )与圣战(🥂)(zhàn )组织(🍒)的信息,父亲踏上寻(🧘)找儿子(zǐ )的路,才发现(xiàn )父(🌬)子之间早(👈)已存在着难以调(🧗)和的(de )矛盾(🍀)。启发自(zì )真人真事,突尼斯(🗄)导演阿提(🔖)亚由一段(💣)寻(xún )子(👿)经历(lì ),反(😶)映(yìng )“阿拉(😭)伯之春(📡)”后,国家如何受(shòu )到(🔫)伊斯(sī )兰恐怖(bù )主义和经(🌍)济停滞所(🚒)影响,国家悲(bēi )剧(🚺)与家(jiā )庭(🅱)悲剧(jù )并(🔤)存。青年们(😒)被视为(🐪)非理性的(🎮)行(háng )动背(📀)后(hòu ),当(㊙)中(zhōng )的复杂情感究(🕹)竟如何描绘?比利(lì )时电(😌)影(yǐng )大师(🚉)达(dá )内兄弟协力(🥒)监制,冷静(㊗)有力,最(zuì )终超越(yuè )悲剧的(📱)(de )伦理剧。详情