Eela is an asp
Eela is an aspiring playback singer and single mother. She has given up all her dreams to raise her only son. But now her baby son 'Vivan' is all grown up and being a typical young millennial, doesn't want his mother's life to revolve around him. But being an over protective mother, Eela has other ideas and joins her son's college to spend more time with him. Unfortunately her plans backfire and she suffers a backlash from Vivan for invading his privacy. Will Helicopter Eela manage to salvage her relationship with Vivan and find her calling again?
《大漠巾帼情(🍋)》由国家林业和草(🍹)原(🕸)局、中共榆林市委宣传(🚛)部(🌥)、中共榆阳区委(🍡)、榆阳(🌊)区人民政府、中(✨)共(🐼)榆阳区委宣传部联合摄(🌀)(shè(❣) )制，影片(piàn )以榆(💪)阳(🔐)区(qū )补(🎶)浪河女(nǚ )子民兵(✅)治(🌑)(zhì )沙连为故(gù )事原型，讲(🏯)(jiǎng )述了治(zhì )沙(shā(🌝) )连(👃)四十(shí )多(duō )年来坚(jiān )持(🐰)(chí(✋) )治沙造(zào )林(lí(👑)n )的(🕥)感人(ré(🐇)n )事(shì )迹，治(zhì )沙(shā(🈹) )连(🍩)的女(nǚ )兵(bīng )们用自己(jǐ(👆) )的青春，在毛乌素(😃)(sù(🆘) )沙漠中，谱写了一曲绿色(🛐)的(🐑)乐章，讴 歌了治沙(🎐)连艰苦(🔪)奋斗、自强不息(🥘)的(😿)治沙精神，弘扬了继往开(🌬)来、薪火相传的(🌰)革(🚘)命传统。
UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.
Identical twin brothers become hybrid A.I (artificial intelligence) entities, yet torn in different directions to achieve justice for humanity.
曾經意氣(qì )風發(🏛)的(🍶)刑(xíng )警豪哥，數年前因(yī(🔩)n )一樁殺妻(qī )案的(✳)偵(⚽)辦(bàn )疏失而遭(zāo )受打擊(🎄)，再(🚦)(zài )也不到(dào )前(🔈)(qiá(🎐)n )線偵辦(🈁)(bàn )。突如其(qí )來(lá(🤴)i )的(😴)『未(wèi )成(chéng )年少女(nǚ )砍(🙄)(kǎn )人案』，卻再度(📀)將(🥣)(jiāng )他捲入深(shēn )黑的漩渦(🦏)(wō(💱) )中。
几千(qiān )年前的(📞)一场神(⏳)秘事件，让楼兰古(🚍)国(👆)一夜覆灭，只留下了一块(✖)神奇且神秘的宝(🏹)物(💷)——奉天双鱼镜，几千后(🤮)，一(🏳)场双鱼镜的争夺之战拉(⏭)开(kāi )的序幕.....
SAM哥(gē(🌲) )飾(🤸)型格幹(gàn )探重案組(zǔ )梁(♎)SIR 調(🌏)查案(àn )件，可能(🎍)(né(👐)ng )是一隻(💓)變(biàn )種(zhǒng )兇獸攻(💍)(gō(🚡)ng )擊(jī )人類，他(tā )要消滅(miè(📸) )兇(xiōng )獸，拯(zhěng )救(jiù(📼) )世(👀)界
A detective and his partner tries to solve a murder case whilst finding themselves stuck in a 1940s, film-noir world.
ユミは夫と娘(niáng )の３(📯)人(🖌)暮(mù )らし。近(jìn )々(🥔)引っ越(💲)(yuè )しを考えてい(🚃)る(😃)。ユミは娘のレイナが時(🕛)折うわ言を発す(🌪)る(📁)ことが、少々気にかか(🌗)っ(🕶)ていた。転居の報(❓)告も兼(🌲)ねて友人ヒロミ(🐫)と(📧)久々に再会するユミ。話(🎾)題(🔆)はいつしか「(💎)あ(😑)の日」(💐)のことに。「私た(🥔)ち(🈵)が埋めた時、本(běn )当(dā(⏱)ng )に死んでたのか(📜)な(🛐)？」。ユミは「あの日」(🗞)の(🕙)ことを清(qīng )算す(🤰)べく、(🍕)サエ、アコにも(💂)再(🔱)会を決意し、廃墟のよ(🔢)うな家に一人で(🈶)住(💊)むサエに会いに行く。サ(💙)エ(🖥)は、見知らぬ少(📚)女が現(🙂)れて娘だと言っ(📶)て(🏌)聞かず、しばらく一(yī(😱) )緒(🔣)に暮らしてい(🐘)た(♏)が死ん(🛍)だこと、そして(🎶)少(🌆)女(nǚ )は死んだままその(👸)家(jiā )の３階(jiē )に(👇)寝(🔝)かされているというこ(🤤)と(🌕)を話し出(chū )す。(C)「(🔽)黄(huáng )泉(❕)がえる少女」製(🦒)(zhì(🥟) )作委員会(huì )
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