南非自(😽)(zì )由
南非自(😽)(zì )由(🍽)(yóu )州是南非(🏨)白人这(zhè )一少数群(qú(🙊)n )体的据点(diǎ(✏)n )。在这(🐴)(zhè )个保守的(🥢)乡村(🧤)地区(qū ),力量(liàng )和(🌷)男性特权依(🌶)然是(📅)(shì )当地人尊崇的(🤢)两个(🕳)(gè )词汇。Janno是个(🈂)孤僻(pì )、内向(xià(😠)ng )的(de )小男孩。他的母(💼)(mǔ )亲(🆒)则是(shì )位(wè(🌰)i )虔诚(🕚)的基督教徒(tú )。一(📯)天,母亲将流(📰)(liú )浪(🚚)街头(tóu )的孤儿Pieter带(💷)回了家,并要求Janno像(🤮)弟弟一样(yà(😫)ng )接纳(🌼)他(tā )。两个男孩由(🎉)此展(📫)(zhǎn )开了一(yī(📕) )场争夺权(quán )利、遗(yí(😮) )产(chǎn )和双亲(💙)之爱(💿)的较(jiào )量。
The Luring is a psychological thriller about a man, Garrett, who tries to recover a lost memory that took place during his tenth birthday at his family's vacation home in Vermont. Unbeknownst to him, something unspeakable happened and as a result Garrett was found in a non-responsive state by his parents, which subsequently resulted in an extended stay in an institution. Psychiatrists call it dissociative amnesia - a loss of memory due to a traumatic event - but Garrett will soon learn some memories are best kept forgotten.
18岁(🌞)的女(❇)孩御子(zǐ )在世上(🖕)(shàng )无依无靠(🔹),一天(😼)她(tā )的舅舅(jiù )悟(🆔)郎突(💎)然出现,为(wé(🐳)i )她安排了兼职工(🕛)作(zuò )和免费(fèi )食(📜)宿。她(🦉)(tā )不知道(dà(👊)o )的(de )是(⭐),她要住的地(dì )方(🔌)是一(yī )个(gè(🚟) )个发(🐔)生过房客非(fēi )自(🎵)然死亡事件的房(🤢)(fáng )子。她(tā )所要做(🚵)的是在房子(zǐ )里(📍)住足(🤵)够长时间,直(🍘)到房(fáng )产中介可以合(🤷)法地(dì )向未(🤢)来(lá(🙌)i )的房客隐(yǐn )瞒曾(🎆)经(jīng )的(de )死亡事件(♉)。御子(zǐ )从一(📁)个住(😇)处搬到另(lìng )一个(🚗)住(zhù(🖲) )处,却发现自(🕙)己开(kāi )始能够(gò(🔴)u )看见幽灵。
工作和(🚼)(hé )人(🆗)生都不太成(🤨)功的(🔢)(de )國中老(lǎo )師藤井(👝)赤(chì )理,在(zà(🤚)i )24歲(suì(💸) )生日當天被兩名(🕞)(míng )男子綁(bǎng )架(jià(🏳) ),綁架犯小田興(xì(⚡)ng )奮地拍下過程,而(🤾)(ér )搭(👴)檔柏(bǎi )原則(🕊)對她坦白說:「晴晴(🎅),我一直都(dō(🍶)u )很想(👃)見(jiàn )到妳。」多年(🏧)以前(qián ),晴晴(qíng )是(🎁)一名可(kě )愛(🗳)的小(🕔)(xiǎo )女(nǚ )孩,在11歲時(🚨)卻以(🎛)(yǐ )美工刀殺(🚧)害了同學(xué )。當時(🧖)(shí )這起案件引起(💝)軒然(🚂)(rán )大波,兇手(🍪)的照(🐉)片傳遍各(gè )大媒(🔝)體,因為她一(♒)(yī )手(💮)比三(sān )、一手比(🦔)(bǐ )二的特(tè )別(bié(⏯) )手勢,得到了Sunny的(de )暱(🚿)稱(三(sān )二日文(⚡)發音(😣)似Sunny)。關於她(🏃)的傳(🤳)說不(bú )斷散播(bō(🎄) ),甚至有人開(🐾)始造(🎮)(zào )神,因而有了一(🍴)批(pī )擁護她(tā )的(🚕)瘋狂粉絲。柏(👜)原(yuá(🕑)n )和小田(tián )就是其(🐑)中(zhō(🕐)ng )的推手(shǒu ),他(🐶)們逼迫赤理拍(pā(😮)i )攝各種照片和影(🧚)片(pià(🐏)n )上傳到(dào )粉(🌳)絲才(🧡)能瀏覽的網(wǎng )路(🧠)論壇(tán )。赤理(🏯)快要(🆎)失去理(lǐ )智,拚了(🔬)命想要逃(táo )跑,然(🔝)(rán )而其他粉(fěn )絲(🖼)紛紛(fēn )到(dào )來,讓(🦗)她大(➕)開眼(yǎn )界的(🍫)旅(lǚ(🤢) )程(chéng )才正要開始(💏)…
法(fǎ )国著(🙎)名女(⛎)星朱丽叶(yè )·比(🌲)诺(nuò )什加盟日本(📳)导演河(hé )濑(🔍)直美(📤)的新片《视(shì )觉》((👊)Vision),影(👭)片将于本月(🤼)(yuè )在奈良(liáng )开始为期(qī )两周半(bà(🎏)n )的(de )拍(💹)摄工作,并在(🕥)(zài )11月(🚉)进行第二阶段的(🌚)(de )拍摄。除了朱(⛩)丽叶(⛳)·比诺(nuò )什的加(🍁)(jiā )盟外,日本男星(🎓)永(yǒng )濑正敏确定(🕗)也将出(chū )演本片(🚉)(piàn ),这(📱)也是(shì )永濑(🌥)正(zhè(🐻)ng )敏(mǐn )第三次与河(💭)濑直(zhí )美合(🕊)作(zuò(🎼) ),此前他们合作的(🖕)(de )影片《澄沙之味》、(🈁)《光(guāng )》均入围(📣)了戛(📸)纳电(diàn )影节的竞(🖱)赛单(🤼)元,这部新(xī(🛩)n )片也有望再次入围(wéi )戛纳。
查理兹(💸)·塞(🍝)隆饰(shì )演(yǎ(🏏)n )一位(⏰)因照顾孩子(zǐ )而(🚙)辛勤劳作的(🔧)母亲(😗)(qīn ),两位(wèi )熊孩子(🎅)加上一个嗷(áo )嗷(🕗)待哺(bǔ )的婴儿,似(📲)乎要把(bǎ )她压垮(🙎),她的(🏼)世界(jiè )因为(🧐)一(yī(📻) )位名叫塔(tǎ )利的(👭)保(bǎo )姆(mǔ )(麦(😢)肯兹(🍸)·戴维斯(sī )饰)出(🕌)现(xiàn ),发生了天翻(👉)地覆(fù )的改(🥁)变。
ミ(👤)ュージカル学(xué(🛫) )科生(💀)にひと時の(🏊)平(píng )穏が訪れる秋の終(zhōng )わり―(😞)―10月(😿)31日。
一场戏一(💐)(yī )句(👺)话一(yī )部影片,一(🌉)言不(bú )合(hé(🍕) )就开(🥍)干。 每个被(bèi )欺凌(🏧)者都压郁着内(nè(♓)i )心的愤(fèn )怒,流露(💎)出来的只(zhī )是万(📬)分(fè(🎨)n )的恐惧。 一名(🎱)中学(👢)(xué )生放学回家路(🔵)上遇(yù )到经(🏟)常(chá(✡)ng )欺凌他的(de )一伙校(💘)(xiào )园(yuán )霸王和社(🤕)会混混(hún ),由(🍮)于(yú(🦔) )经(jīng )常被欺凌,心(🧢)中(zhō(😻)ng )早已积压一(🛰)股反抗(kàng )的愤怒(nù ),但是自己又身(🔐)单(dā(🈸)n )力薄和胆小(🤼)怕事(📟),而在被(bèi )残忍的(🤕)欺凌中自(zì(🛸) )己(jǐ(🃏) )想象自(zì )己武艺(🏅)高(gāo )强以一(yī )敌(🎭)(dí )众的画面。然而(🗿)(ér )想象归想象现(💲)实归(🥄)(guī )现实,最终(🍻)还是(🌕)回到现实(shí )中来(🚠),校园霸王和(⚫)混混(📅)们(men )抢走他的财物(📇)之后(hòu )把他绑(bǎ(🔑)ng )在了电线(xià(🕜)n )杆上(🤵)。一(yī )句无奈的“别(🔡)闹(nà(🍹)o )了”反映(yìng )出(👷)被欺凌者的无(wú )助。体现了反校园(⭐)(yuán )欺(🐻)凌公(gōng )益题(🤭)材,倡(👀)导“预(yù )防校园暴(🍍)力,杜绝(jué )少(🛃)年欺(🏰)(qī )凌”口号。
在《琐(suǒ(🎙) )事烦心》(Wolfsbergen,2007年(nián )论(🚕)坛单(dān )元(yuán )),《布(🥀)朗运动(dòng )》(Brownian Movement,2011年论(🦓)坛单(🤥)元(yuán ))和《一(♋)切很(🉑)安静》(Boven is Het Stil,2013年全景单(😗)元)之后,荷(🍃)兰(lá(🏣)n )导演娜诺克•利(👚)奥(ào )波德将(jiāng )会(🐍)带着新(xīn )片(🛺)来到(🐣)(dào )2018年(nián )的柏林电(🔄)影节(🐪)在(zài ) Generation 14plus中角逐(🥪)。以她特有的沉静(jìng )的激进主义风(👩)格,她(🔒)的新(xīn )片跟(🦅)随着(🏐)15岁Cobain的脚步(bù ),在城(⛸)市里徘徊,寻(💦)找他(🐌)(tā )自毁的母亲。在(🔺)(zài )途(tú )中,他遇到(🚵)了她(tā )的老朋(pé(👹)ng )友(yǒu )们,社工们,以(👝)(yǐ )及(🚉)一家美沙酮(🚒)诊所(🍦)(suǒ )。在他(tā )的电影(🔁)处女作中,Bas Keizer温(🎫)柔又(🎓)有力地表现出了(♐)一(yī )个必须要快(🆖)速长大(dà )的(🐕)男孩(🏠)(hái )的样子。
The movie is to combine a film noir-style investigation with an exploration of altered states of consciousness, focusing on the story of 50-year-old Otto Ganz, the owner of a thriving building and civil engineering company that operates worldwide. One day he has to travel to North Africa to deal with some urgent issues and there, Ganz is confronted with memories of his youth, which he had tried to forget for many years.
详情